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The center of polyphonic music in europe after 1150 was
The center of polyphonic music in europe after 1150 was








When you've placed seven or more cards in the Don't know box, click "retry" to try those cards again. If you knew the answer, click the green Know box. Look at the large card and try to recall what is on the other side. Use these flashcards to help memorize information. Leonin and perotin are notable because theyĪre the first important compsers known by name, indicated definite time values and clearly defined meter in their music, and were the leaders of the school of Notre Dame The center of polyphonic music in europe after 1150 wasĪ chant that is used as the basis for polyphony is known as In the recording of the medieval estampie, the melody line is played on a rebec Most of the french secular songs of the middle ages dealt with The 12th and 13th centuries by french nobles called troubadours and trouveres The first large body of secular songs that survives in decipherable notation was composed during The notation of the secular songs of the middle ages does not indicate The wandering minstrels, or jongleurs, of the middle ages Performed music and acrobatics in castles, taverns, and town squares One or more long, sustained notes that accompany a melody is known as

the center of polyphonic music in europe after 1150 was

Gregorian chant is named after pope Gregory I, who Was credited by medieval legend with having created it, even though it evolved over many centuries

the center of polyphonic music in europe after 1150 was

Was the first woman composerr to leave a large number of works that have survived

the center of polyphonic music in europe after 1150 was

Like the major and minor scales in that they consist of seven tones and an eighth tone that duplicates the first an octave higher. Monophonic in texture, named after a pope










The center of polyphonic music in europe after 1150 was